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31/07/17

✿ Franz von LENBACH (1836-1904)

 Fräulein Guschlbauer
Voluptas 1897
Schlangenkönigin, 1894 The Snake Queen
 Red Hair
Eleonora Duse, 1886
Lily Merk
Clara v. Leipzig, 1898
A red haired beauty Attributed to Franz von Lenbach (1836-1904)
Saharet, 1899
Ecstasy, 1903
Portrait of a Young Woman
Portrait of Marcella Sembrich 1891
lady Curzon, 1901
Frau Merk, 1901
Portrait Lady Curzon
Porträtstudie eines Mädchens 1855
Marion Lenbach and the Daughter of the Painter Nikolaus Gysis, 1899
In der Sonne 1859
Portrait der töchter marion und gabriele
Zwei Schwestern (1901) Two sisters
Marion mit Katze, 1898
Little Girl With Cat
Porträt der Schauspielerin Fritzi Scheff
Sarah Bernhardt as Lady Macbeth (1892)
Portrait of a lady in profile
Ritratto di Eleonora Duse, 1885

Mädchenporträt
Portrait of Otto Eduard Leopold von Bismarck
The Arch of Titus in Rome
Baeuerin Mit Kind
Marie Germaine Kolb (later Stockley) Munich c. 1890
Brustbild zweier junger Damen
Girl with a Fan
Anna Schubart, 1867
Mary Lindpaintner als Salome, 1894
Portrait of Marion Lenbach 1901
The Artist's Daughter 1900
Ernst von Schanzenbach 1860
Bavarian Peasant girl
Bismarck in Uniform 1897
Magdalena 1867
Otto von Bismarck, 1896
The Composer Franz Liszt 1884
Portrait of his second wife, Charlotte
Wilhelm Busch, Portrait
Georg Plach 1873
Frau Elsa Mothwurf 1902
 Selbstporträt (1903)
Franz von Lenbach (1836-1904) was a German painter of Realist style.
Lenbach was born at Schrobenhausen, in Bavaria. His father was a mason, and the boy was intended to follow his father's trade or be a builder. With this view he was sent to school at Landsberg, and then to the polytechnic at Augsburg. But after seeing Hofner, the animal painter, executing some studies, he made various attempts at painting, which his father's orders interrupted. However, when he had seen the galleries of Augsburg and Munich, he finally obtained his father's permission to become an artist, and worked for a short time in the studio of Gräfle, the painter; after this he devoted much time to copying.
Katharina Fürstin Henckel
Portrait of Lilly Merk 1902
Red-headed woman in profile 1901
Selfportrait mit Tochter Marion 1894
Thus he was already accomplished in technique when he became the pupil of Piloty, with whom he set out for Italy in 1858. A few interesting works remain as the outcome of this first journey A Peasant seeking Shelter from Bad Weather (1855), The Goatherd (1860, in the Schack Gallery, Munich) and The Arch of Titus (in the Palfy collection, Budapest). On returning to Munich, he was at once called to Weimar to take the appointment of professor at the Academy. But he did not hold it long, having made the acquaintance of Count Schack, who commissioned a great number of copies for his collection.
Doppelbildnis Marion Lenbach und unbekanntes Mädchen (1903)
An Old Fire Place
Hirtenknabe, 1859
 Summer Meadow 1860
Lenbach returned to Italy the same year, and there copied many famous pictures. He set out in 1867 for Spain, where he copied not only the famous pictures by Velázquez in the Prado, but also some landscapes in the museums of Granada and the Alhambra (1868).
Musizierende Frau, 1896
Portrait Lady Curzon
Liegender weiblicher Akt, 1902
In the previous year he had exhibited at the great exhibition at Paris several portraits, one of which took a third-class medal. In 1882 Lenbach was ennobled, and since then known as von Lenbach. Thereafter he exhibited frequently both at Munich and at Vienna, and in 1900 at the Paris exhibition was awarded a Grand Prix for painting. Lenbach, who died in 1904, painted many of the most remarkable personages of his time (including Bismarck).
Franz von LENBACH (1836-1904) with family (Selfie-Photo)
Franz von Lenbach mit Frau Lolo und Töchtern Marion und Gabriele, 1903

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